Four women live in separate apartments in a beautiful castle. Three of them like to eat meat, one is a vegetarian. They're all married to the same guy, the master of the castle. Whomever the master chooses to stay with on any given night gets a foot massage and gets to call the shots at dinnertime, decide the menu. Seems like an environment ripe for jealousies and fighting. Seems like a season of DALLAS but it's tweaked out to 1920s Chinese concubine culture. It's a beautiful film because the castle is beautiful. Gong Li is beautiful. But it's too easy to see where things are going, and an obvious girly cat fight isn't that interesting. Or is it a veiled allegory against Chinese communist authoritarianism, or the culture of patriarchy? If so, we have to call it good. That's the rule. Damn chicks, allegorically speaking, should have banded together and thrown off their oppressors instead of fighting each other. The film, in foreshadowing irony, is divided into "Summer, Fall, Winter, Spring ... Summer."
The phenomenal success and international acclaim of Raise the Red Lantern, cemented Zhang Yimou's status as a leading figure in world cinema and reaffirmed the vibrancy of Chinese cinema. Though the film was the topic of great political controversy in China upon its release, it received armfuls of awards from Belgium, Italy, the United Kingdom and a nomination for an Academy Award.
This sumptuously photographed drama, set in Northern China in the 1920s and based on the novel Wives and Concubines by Su Tong, stars Gong Li as Songlian, the fourth wife of an elderly landlord. Songlian is a college student who has been married off by her stepmother, so it is with tremendous frustration that this woman, who had hopes of using her education to broaden her horizons, now finds herself reduced to a small enclosure at the beck and call of her husband. Despite being given a maid (Kong Lin) and luxurious surroundings, she feels trapped inside the cheerless walls. Upon her arrival, Songlian realizes that she must keep one step ahead of her rivals, the three other wives. She also learns of her husband's tradition of lighting a lantern outside of the house of the wife with whom he intends to spend the night. During the first night together with her husband, she finds he is called away to tend to his spoiled third wife (He Caifei). Songlian then becomes acquainted with his other wives -- his first wife (Jin Shuyuan), an elderly woman who ignores Songlian; the third wife, an ex-opera singer; and the second wife (Cao Cuifeng), who offers Songlian friendship and helpful advice. But it turns out that the second wife's motives are not exactly innocent--she is conspiring with Songlian's maid to undermine both the third wife and Songlian. Raise the Red Lantern is a moving exploration of power in a suffocating world of ossified tradition and naked ambition-a masterpiece of 1990s world cinema.