|Jing ke ci qin wang 1998 China, Japan, France The Emperor and the Assassin|
There is a well-written and very informative review of the film over at Illuminated Lantern. It discusses many of the scenes and compares them to historical document. It can be read without spoiling the film because this isn't a film built on surprises. We know the story for the most part but it helps, especially western viewers who aren't familiar with the source material, to have some grasp of the impact of what is portrayed in the film in terms of shaping Chinese history.
Gong Li is fabulous, but not really the star of the film. Xuejian Li, as the Emperor, balances unhinged with forthright and hits every note in between. Fengyi Zhang goes from badass assassin to homeless bum who's given up assassinating to badass assassin again and then to someone we're not sure of, all convincing. Zhiwen Wang almost steals the show as the eunuch lover of the queen who has a plan of his own. He seems almost a little too contemporary but Kaige has assembled a film that allows for him. This is more than a standard period piece costume drama. It's history done well and it's very entertaining. Most appealing to me is my perception that this film was made for a Chinese audience, not a western, festival-circuit one.
A recent Red Cliff marathon got me in the mood for EPIC so I indulged and was quite happy—not to mention it features Zhou Xun, unquestionably my favorite Chinese actress, in a small but significant role. It's hard not to see this as a parallel to state sanctioned historiography of Mao, but no matter. Chinese unity is paramount, there will be blood.
Summary: In the 3rd Century BC, Ying Zheng, heir to the Kingdom of Qin, seeks to dominate the remaining six Chinese kingdoms. Ying's strategy is to seem invincible. Ying sends his concubine Zhao to the Han Kingdom as a spy, to enlist an assassin he can conquer. Zhao persuades Jing Ke, but falls in love.