|2007 UK, Belgium, Luxembourg, Germany, France Irina Palm|
I write "apparently" because I couldn't help but conclude from this film that giving hand-jobs for a living is not all that bad. Maggie (M. Faithful) receives the moral high ground in her confrontations with both her friends and her son when the truth of her vocation is revealed. Her son makes a fool of himself, vastly over-acting and over-reacting when he discovers his mother working in a sex club. He sees her dressed in a typical day dress walking through the club. All the other women are half naked, but her son concludes that she is working as a whore. He calls her a whore, screams it at her without a single question. As the audience, we see this display of ridiculous emotion as misplaced. Maggie's daughter-in-law, who up to this point didn't seem to care if her son lived or died, rises to the defense of her mother-in-law. Maggie entered this degrading lifestyle to save her grandson. That's what is important.
Maggie finds strength and a new, authentic life in refusing to accompany her son and grandson to Australia, and instead returns to the sex club and kisses (and presumably falls in love with) the sex club owner, who, in response to Maggie's declaration that she likes his smile, affirming their budding closeness, says "I like the way you work." Gracious me.
Dorka Gryllus is also wonderful as the young veteran of glory hole work. But after developing her character, and her relationship with Maggie, she is abruptly tossed aside. The two of them had become friends, but Louisa (D. Gryllus) is unrealistically fired because, apparently, Maggie has taken away all her clients. On her way out, Louisa curses Maggie who has no idea why. When Maggie later approaches Louisa at her home in a run down housing project (isn't that where you'd expect a glory hole worker to live?) to attempt reconciliation perhaps, Louisa opens up a can of class-consciously aware worms in response, but then is shut out, turned off, and eliminated from the rest of the film entirely.
The script to Irina Palm (palm, hand-job, get it?) has to have some tongue planted firmly in cheek. For those who are curious, there are no penises shown in the film, only arm movements and careful camera angles that suggest the size of the unseen units must average one to two feet in length. The rise of this mild-mannered, fifty-year-old grandma who can't even say the f-word, from nobody to the "best right hand in London", with men in long queues to receive her services is absurd. It's just not that kind of skill. It's a very small segment of a larger talent pool.
Maggie wears her right arm in a sling for most of the film, suffering from "penis elbow", which is akin to tennis elbow only from a different vocation. Enjoy the film. Don't sweat the details of this simple and touching story, just soak in the wonderful performances amidst the (inexplicably chosen) mildly raunchy milieu.
Summary: Maggie, a 50-year-old widow - still faithful to her dead husband, desperately needs some money to pay for a medical treatment for her ill grandson. After several unfruitful attempts to find a job, Maggie finds herself roaming the streets of London Soho. Her eye is caught by a small poster in the window of a 'shop' called "Sexy World" which reads: "Hostess wanted". Too desperate and lost to realize what she does she enters. Micky, the owner, is embarrassed at first, but intrigued by Maggie, he decides to have fun and offers her the job. Under the pseudonym of Irina Palm, Maggie courageously gets to know her first anonymous customers. Micky observes his recruit. Maggie, who applies herself in order to keep her job, fascinates him. When she does something, she makes sure she does it well.