Per qualche dollaro in più   1965   USA For A Few Dollars More
For A Few Dollars More Image Cover
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Director:Sergio Leone
Writer:Fulvio Morsella, Sergio Leone
IMDb Rating:8.2 (259,979 votes)
Awards:See the Top 250movies as voted by our users
Duration:131 min
Sergio Leone  ...  (Director)
Fulvio Morsella, Sergio Leone  ...  (Writer)
Clint Eastwood  ...  Monco
Lee Van Cleef  ...  Col. Douglas Mortimer
Gian Maria Volontè  ...  El Indio (The Indian)
Mara Krupp  ...  Mary - Hotel Manager's Beautiful Wife
Luigi Pistilli  ...  Groggy, Member of Indio's Gang
Klaus Kinski  ...  Juan Wild - The Hunchback
Luis Rodríguez  ...  Manuel (Member of Indio's Gang)
Benito Stefanelli  ...  Luke 'Hughie'
Panos Papadopulos  ...  Sancho Perez, Member of Indio's Gang
Aldo Sambrell  ...  Cuchillio
Roberto Camardiel  ...  Tucumcari station clerk
Joseph Egger  ...  Old Prophet
Tomás Blanco  ...  Tucumcari sheriff
Lorenzo Robledo  ...  Tomaso, Indio's Traitor
Dante Maggio  ...  Carpenter in cell with El Indio
Sergio Mendizábal  ...  Tucumcari bank manager
Diana Rabito  ...  Callaway's beautiful girl in tub
Giovanni Tarallo  ...  Santa Cruz telegraphist
Ennio Morricone  ...  Composer
Massimo Dallamano  ...  Cinematographer
Eugenio Alabiso  ...  Editor
Giorgio Serrallonga  ...  Editor
Summary: A ringing instance of a sequel far outstripping its predecessor, Sergio Leone's For a Few Dollars More takes the lethal antihero from A Fistful of Dollars, gives him both a rival and an adversary worthy of sharing a gun-blazing corrida, and ratchets up the stylization to something approaching grandeur. This time the Man with No Name (Clint Eastwood) is a bounty hunter whose desert Southwest killing ground is suddenly crowded by the presence of an older, black-clad shootist (Lee Van Cleef). Individually and together, they terminate sundry grotesques while closing in on their biggest quarry, a memorably insane bandit called El Indio (Gian Maria Volonté is brilliant). There's just enough plot to imbue Van Cleef with genuine mystery, a dark avenging angel from a lost past whose pull would supply the emotional core of Leone's later masterworks Once upon a Time in the West and Once upon a Time in America. Leone's bravura widescreen compositions are breathtaking, and Ennio Morricone's music score--tinged with lunatic religiosity--is his first great one. --Richard T. Jameson

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