Eiji Okuda	...	(Director)
Katsuhiko Manabe, Izuru Narushima	...	(Writer)
Eiji Okuda	...	Tomokawa
Mayu Ozawa	...	Yoko
Akira Shoji	...	Sukemasa
Mari Natsuki	...	Yukie
Hideo Murota	...	Shozo
Kazu Andô	...
Noriko Hamada	...
Katsuhiko Hibino	...
Hideo Higashikokubaru	...	(as Sonomanma Higashi)
Kazuhiko Kanayama	...
Sujin Kim	...
Nasubi	...
Masahiko Shimada	...
Akihiro Yoshimura	...
Hirokazu Ishii	...	Cinematographer
Shigeru Umebayashi	...	Composer

Comments: The guy who directed this film is Sakura Ando's father. He directed Sakura's nude scene in her feature film debut, Out of the Wind (Kaze no sotogawa (2007)). In show-biz families that may be a non-event, or even a bold and smart thing to do. It's a little creepy to me. He directs and stars in this film about a 40-something cop and a fifteen year old girl who fall in love. This thing got "good press" when it ran the festival circuit for the great lengths it went to in trying not to be creepy: like making the girl tough, smart, and the aggressor. Yeah, poor cop, what's he supposed to do?

I applaud the convoluted script which allows for this kind of synopsis (from IMDb):

Tomokawa is a tough guy turned bored cop who spends much of his time sating lonely housewives and looking after retarded teen Sukemasa. One day while hanging out at a bar, he is approached by a 15-year-old enjo kosai named Yoko, offering a round of illicit sex in exchange for cash. Though he demurs, their paths cross again and soon a relationship of sorts forms. Yoko, it turns out, is Sukemasa's sister; and both are the children of his old flame Yukie, a grasping, self-centered woman. Moreover, Yoko's grandfather is responsible for the massive tattoo sprawling across Tomokawa's back. Tomokawa soon takes both teens under his wing, protecting them from their heartless mother, and their lecherous stepfather. Soon, Yoko gets a similarly massive tattoo illustrating her bond with her policeman savior.


It's all true. The savior cop demurred, and etc.... Tomokawa kidnaps runaway dogs and keeps them for a long time so that when he finally returns them to lonely housewives they are so grateful they have sex with him. That's in the script. But he's friends with a retarded teen. See how balanced he is? The cop and the girl are both so far out there misunderstood-with-baggage they were destined for one another.

Lolita films are nothing new and this might be a good one as far as they go. It's restrained, not too graphic; there's interesting photography and directorial choices made; May Ozawa (~20) is "daring" and "courageous" [festival-speak for 'does nude scenes'] as the young girl; the script is well-contrived; there's spiritualism. Great lengths.

Watching Eiji Okuda direct himself and show his butt as irresistible to a fifteen year old girl was never going to work for me. YMMV. I watched it as a geezer-fantasy anecdote to the teen-fantasy poison I'd just gone through.

Summary: Tomokawa (Okuda) is a tough guy turned bored cop who spends much of his time sating lonely housewives and looking after retarded teen Sukemasa. One day while hanging out at a bar, he is approached by a 15-year-old enjo kosai named Yoko, offering a round of illicit sex in exchange for cash. Though he demurs, their paths cross again and soon a relationship of sorts forms. Yoko, it turns out, is Sukemasa's sister; and both are the children of his old flame Yukie (Marie Natsuki), a grasping, self-centered woman. Moreover, Yoko's grandfather is responsible for the massive tattoo sprawling across Tomokawa's back. Tomokawa soon takes both teens under his wing, protecting them from their heartless mother, and their lecherous stepfather. Soon, Yoko gets a similarly massive tattoo illustrating her bond with her policeman savior.